http://www.septemberindustry.co.uk/egelnick-and-webb-recent-projects/
I came across this beautiful work abnd thought it was so fitting with the kind of thing and level of consistency me and Sophie are trying to achieve within our work. Pushing the floral designs across a range of stationary, and further into some kind of look book is something we wanted to do originally, these designs below show how well it can work if applied well. Retail graphics isn't something we had considered yet, but after looking at the window design below and think its something we must consider.
Showing posts with label Brief 5 Laura Ashley Context. Show all posts
Showing posts with label Brief 5 Laura Ashley Context. Show all posts
Tuesday, 26 March 2013
Tuesday, 5 March 2013
DC - Brief 5 - Incorporation of Textiles
Source: http://www.septemberindustry.co.uk/mucho-new-year-special/
In relation to the Laura Ashley brief, I really want to incorporate the product into the paper collatoral and advertisement material. Below are a few examples of how I could do that.
In relation to the Laura Ashley brief, I really want to incorporate the product into the paper collatoral and advertisement material. Below are a few examples of how I could do that.
Source: http://www.septemberindustry.co.uk/studio-lin/
Sunday, 3 March 2013
DC - Brief 5 - Art Fad
Source: http://heystudio.es/artfad-2012/
The Arts and Design Promotion is a private, independent and not-for-profit association that has the objective of promoting design and architecture in the country's cultural and economic life.
Hey studio has produced a lot of their promotional and event material using a range of materials and printing methods to represent the company as being a Art and Design led. Using ribbon and craft to represent the 'A' within the companies name, and using a large range of coloured ribbon gives a personal touch to each booklet.
The Arts and Design Promotion is a private, independent and not-for-profit association that has the objective of promoting design and architecture in the country's cultural and economic life.
Hey studio has produced a lot of their promotional and event material using a range of materials and printing methods to represent the company as being a Art and Design led. Using ribbon and craft to represent the 'A' within the companies name, and using a large range of coloured ribbon gives a personal touch to each booklet.
Source: http://heystudio.es/artfad-3/
This same approach can be sean within promotional postcards, the colour palette being stock dependant as to what and which coloured stock is placed behind the cut out.
Thursday, 28 February 2013
FMP - Brief 5 - Product Range
After mine and Sophie's meeting I felt it needed that I looked at the range of products Laura Ashley currently produce surface pattern across, to get a better understanding on the nature of how my designs will need to work.
Some of the items we will want to make and print onto, such items as cushions and throws but amoungt their living room range, furniture is on offer - this will only be able to be mocked up. So ideally I needed to list the items we would actually be making, and the items we will actually be printing onto, amoung what would be mocked up. This will then be photographed and used within our lookbook design.
The items we will be Mocking up:
Some of the items we will want to make and print onto, such items as cushions and throws but amoungt their living room range, furniture is on offer - this will only be able to be mocked up. So ideally I needed to list the items we would actually be making, and the items we will actually be printing onto, amoung what would be mocked up. This will then be photographed and used within our lookbook design.
The items we will be Mocking up:
Products we will be making and printing onto:
Cushions
Vases
Throws
Wallpaper Reels
Fabric Reels
Coffee Table runner
Canvas
Lampshade
The Living room product range on offer:
- Sofas
- Armchairs
- Chaise Longue
- Footstools
- Coffee Tables
- Console Tables
- Side Tables
- Sideboards
- Media Units
- Wallpaper
- Fabrics
- Cushions & Throws
- Rugs
- Lighting
- Curtains
- Blinds
Other:
Source: http://viewer.zmags.co.uk/publication/9d72c079#/9d72c079/30
Some pages from the Spring Catalogue, to give us a sense of how the patterns are applied to certain items, and the kind of high quality photography we need to try and achieve.
Tuesday, 26 February 2013
FMP - Brief 5 - Arts and Craft Movement
Source: http://www.vam.ac.uk/content/articles/t/the-arts-and-crafts-movement/
About:
About:
The Arts and Crafts Movement was one of the most influential, profound and far-reaching design movements of modern times. It began in Britain around 1880 and quickly spread across America and Europe before emerging finally as the Mingei (Folk Crafts) movement in Japan.
It was a movement born of ideals. It grew out of a concern for the effects of industrialisation: on design, on traditional skills and on the lives of ordinary people. In response, it established a new set of principles for living and working. It advocated the reform of art at every level and across a broad social spectrum, and it turned the home into a work of art.
The Movement took its name from the Arts and Crafts Exhibition Society, founded in 1887, but it encompassed a very wide range of like-minded societies, workshops and manufacturers. Other countries adapted Arts and Crafts philosophies according to their own needs. While the work may be visually very different, it is united by the ideals that lie behind it.
This was a movement unlike any that had gone before. Its pioneering spirit of reform, and the value it placed on the quality of materials and design, as well as life, shaped the world we live in today.
The Origins of the movement
In Britain the disastrous effects of industrial manufacture and unregulated trade had been recognised since about 1840, but it was not until the 1860s and 1870s that architects, designers and artists began to pioneer new approaches to design and the decorative arts. These, in turn, led to the foundation of the Arts and Crafts Movement.
The two most influential figures were the theorist and critic John Ruskin and the designer, writer and activist William Morris. Ruskin examined the relationship between art, society and labour. Morris put Ruskin's philosophies into practice, placing great value on work, the joy of craftsmanship and the natural beauty of materials.
By the 1880s Morris had become an internationally renowned and commercially successful designer and manufacturer. New guilds and societies began to take up his ideas, presenting for the first time a unified approach among architects, painters, sculptors and designers. In doing so, they brought Arts and Crafts ideals to a wider public.
Friday, 22 February 2013
FMP - Brief 5 - Collaboration Meeting
After having a brief online discussion about the branding design Sophie had produced we decided to have a bit of a meeting to see where were at and start the ball rolling. Sophie had produced a beautiful logo for our Horticultural collection but I gave a bit of feedback about the legbility being questionable regarding the italic typeface. We will continue to have regualr meetings from now on, to make make decisions reagdring design choices together, and so we both continue to be on the same wave length.
It was suggested I did some artist research so I can start moving on and producing illustrations. We came us with a generic list of flowers I should start drawing:
Lavender
Lilac
Magnolia
Rhododendron
Pansies
Cow Parsley
Umbrella Plant
Wood anemone
Crocuses
Grape Hyacinth
Head bourne hybrids
Iris
Jacobs ladder
Violet
The images Collated to influence and draw:
Source: http://www.google.com/imghp?hl=en&tab=wi
It was suggested I did some artist research so I can start moving on and producing illustrations. We came us with a generic list of flowers I should start drawing:
Lavender
Lilac
Magnolia
Rhododendron
Pansies
Cow Parsley
Umbrella Plant
Wood anemone
Crocuses
Grape Hyacinth
Head bourne hybrids
Iris
Jacobs ladder
Violet
The images Collated to influence and draw:
Source: http://www.google.com/imghp?hl=en&tab=wi
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